Website:https://www.reed.lt/
Est. year: 1987
Reed 2B 12" is a tonearm with an effective length of 12", ceramic bearings for low friction, allowing the use of cartridges up to 35 g, with adjustable antiskating at the beginning and end of the plate for perfect tracking. Fully assembled, easy to set up.
Reed 2B 10.5" — rotary tonearm with low-friction ceramic bearings, cartridge support up to 35 g, adjustable antiskating at the beginning and end of the plate, fully assembled and ready for installation
Reed 2B 9.5" is a rotary tonearm with low-friction ceramic bearings, cartridge support up to 35 g, adjustable antiskating at the beginning and end of the plate, ready for installation.
Reed 1H 12" is a cardan tonearm, where the vertical axis uses rotating thrust bearings, and the horizontal axis uses rotary thrust bearings.
Reed 1H 10.5" is a cardan tonearm with vertical rotating thrust bearings and horizontal rotary thrust bearings (pivot).
Reed H1 9.5" is a cardan tonearm with a vertical axis on rotating thrust bearings and a horizontal axis on rotary thrust bearings (pivot). This is not an unpivot, but a hybrid pivot system that eliminates jitter and increases sound stability. Anti—skating - magnetic, with precise adjustment.
Reed 5A is a tangential pivot tonearm with Double Birch/Thales geometry, which minimizes tracking error (±4 MOA) and does not require antiskating. This is not an unpivot, but an advanced tangential pivot with low-friction bearings and precise mechanics for perfect tracking without distortion.
Reed 3P is a hybrid tonearm with a unique bearing system that combines the principles of gimbal and unipivot. Although the design resembles a gimbal, it actually acts like a unipivot with three support points and magnetic stabilizers vertically and horizontally.
Reed 3P 10" is a hybrid tonearm with a unique bearing system that combines the advantages of gimbal and unipivot: three fulcrum points and magnetic stabilizers on both axes.
Reed 3P 9.5" is a hybrid tonearm with an innovative bearing system: a combination of gimbal and unipivot principles. In fact, it behaves like a unipivot, but with three support points and magnetic stabilizers, which gives gimbal rigidity and low friction to the unipivot. A classic for fine—tuning VTA, azimuth and antiskating on the fly - right during playback!
Reed 2G 12" is a tonearm with a gimbal bearing system: the vertical axis is on thrust bearings, and the horizontal axis is on rotary thrust bearings (technically a hybrid pivot). This is not an unpivot, but an advanced design that eliminates backlash and vibration, improving the sound. Anti-skating is magnetic, similar to Reed 3P.
The Reed 2G 10.5" is a tonearm with a cardan bearing system: a vertical axis on thrust rotating bearings, a horizontal axis on thrust pivot bearings, similar in design to the Reed 3P. This is not an unpivot, but a hybrid pivot that eliminates jitter as much as possible and increases sound stability.
The Reed 2G 9.5" is a tonearm with a cardan bearing system: a vertical axis on rotating thrust bearings, a horizontal axis on thrust pivot bearings, similar in design to the Reed 3P. This is not an unpivot, but a hybrid pivot that virtually eliminates shaking and increases sound stability.
The Reed 5T is a unique tangentially rotating tonearm with laser positioning and a limited rotation motor.
